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Breathless (The House of Rohan), by Anne Stuart
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Ruined beyond repair and shunned by London society, lovely Miranda Rohan rebelliously embraces the freedom that comes from having nothing left to lose. However, this dangerous course throws her under the power of the darkly enigmatic Lucien de Malheur—known to many as the Scorpion.
Seeking to destroy the Rohans, Lucien traps Miranda in a marriage she thinks is based on friendship but instead is rooted in vengeance. Yet even when she realizes the truth, their enmity fuels a shocking passion—and perhaps even more.
Such a man might drive anyone to murder….
- Sales Rank: #1467892 in Books
- Published on: 2010-09-21
- Released on: 2010-09-21
- Original language: English
- Number of items: 1
- Dimensions: 6.62" h x .99" w x 4.21" l, .40 pounds
- Binding: Mass Market Paperback
- 384 pages
About the Author
Anne Stuart loves Japanese rock and roll, wearable art, Spike, her two kids, Clairefontaine paper, quilting, her delicious husband of thirty-four years, fellow writers, her three cats, telling stories and living in Vermont. She’s not too crazy about politics and diets and a winter that never ends, but then, life’s always a trade-off. Visit her at www.Anne-Stuart.com.
Excerpt. © Reprinted by permission. All rights reserved.
"I don't think this is a good idea," the honorable Jane Pagett said, wringing her hands. "Mr. St. John isn't very good ton. I don't trust him."
Lady Miranda Rohan looked at her dearest friend with a wicked grin. They were sitting in Miranda's bedroom in the Rohan townhouse on Clarges Street as the young lady of the house prepared for a clandestine night out. "Oh, I don't trust him, either," she said cheerfully. "That's half the fun. Don't lecture me, darling. I've been a very good girl for three seasons now, and this is the first time I've done anything even remotely naughty. They want me to find someone to marry, and I'm just… experimenting."
"I don't think your parents are going to let you marry Christopher St. John," Jane said tartly.
"No, I don't expect they will," she said with a sigh. "I don't think it's fair, though. They'd probably reject him because he has no money, but I have more than enough for both of us. We could live very well on my income."
Jane looked at her strangely. "Would you really want to marry Mr. St. John?"
Miranda shrugged. "He's as good as anyone, I suppose. It's not as if I were a great beauty and could take my pick. Certainly there are a number of men who'd have me, and I expect I'll end up with one of them, but in the meantime I just want to indulge in a tiny bit of wicked flirtation."
"You're very pretty, Miranda!" Jane protested.
"Well, I'm not a complete antidote," Miranda admitted. "I'm just ordinary. I'm neither tall nor short, plump nor thin, my eyes and my hair are a nice boring brown. My face is inoffensive. Nothing for anyone to take a disgust of. But nothing to induce a wild passion, though Christopher St. John seems quite enthusiastic. Though I expect he's probably more enthusiastic about my money than my person," she added in a practical voice.
"Then why risk your reputation by going to Vauxhall with him? Alone!" Jane cried. "I'd be happy to come with you, or you could take your maid…"
"Absolutely not," Miranda said briskly, tying her domino at her neck and pulling it around her. Her clothes were far too discreet and modest for a raucous night at the pleasure gardens, but the domino would be adequate disguise. "I want to dance wildly and drink wine and play cards for high stakes and laugh too loudly. I want to kiss and be kissed until I get tired of it, and I want to do it with the most beautiful man I've ever seen. You have to admit Christopher is beautiful."
"His chin is too weak," Jane said in a grumpy voice.
"Not as far as I'm concerned," Miranda said. "I'm only sorry this just came up, though I doubt I could have made my escape if you weren't here. My sister-in-law takes her duties very seriously since my parents have gone up to Scotland, and she's always asking me what I'm doing. The thing is, I don't want you to have to lie for me if anyone notices I'm gone."
"Well, I'm not going to lie for you," Jane said. "I'll tell them exactly where you went and with who."
"With whom," Miranda corrected absently. "And it won't be a problem. It'll be too late to find me, and my family knows I'm not an idiot. I'll be home around midnight, uncompromised, and no one need ever know. I just want a taste of freedom before I agree to marry one of those boring young men my brothers keep bringing home. Just a few stolen kisses while we watch the fireworks at midnight, and then I'll be safely back and chances are no one will even notice that I went out. And what can they do to me if they find out—beat me?"
"You know you'll manage to charm your entire family out of being angry with you," Jane said. "You'll even manage to charm me."
Miranda pulled the hood over her boring brown hair and reached for her loo mask. "That's because I'm adorable," she said pertly. "Don't worry about me, love. I'll be back before you know it."
Jane looked at her, worried. "I wish you wouldn't go. I don't think Mr. St. John is trustworthy."
"We've already gone over that. I'll marry someone trustworthy. I'll be just a tiny bit wicked with someone beautiful beforehand." She leaned over and planted a kiss on Jane's cheek. "Don't worry about me. I'll be fine." And a moment later she was gone.
There were times, looking back on that night, when Lady Miranda Rohan couldn't believe how stupid she'd been. How gullible, how certain of her own invulnerability that she never considered the danger. Christopher St. John was charming, rakish, ever so slightly dissolute, and spending a few unchaperoned hours with him should have been perfectly safe. He'd been so handsome. Penniless, but that hadn't bothered her. She would inherit more than enough for both of them. And after three years on the marriage mart there'd been no one she'd even considered as a possible husband, until Christopher had glided into her life, with his perfect face and tall, straight body, his white teeth and his charming smile.
She'd laughed when he'd suggested she elope with him. It took her far too long to realize that the closed carriage he was using to return her home was taking too much time, that while Christopher was dozing on the seat opposite her the road was becoming rougher. And when she pushed up the blind she saw only pitch-black night, not the lights of London.
She hadn't succumbed to hysterics, though she'd been tempted. She'd been firm, angry, determined. And in the long run, helpless. He'd maintained his charm throughout her protests. He loved her, he adored her, he couldn't live without her. And yes, without her substantial fortune.
"I won't marry you," she'd said firmly. "You can drag me in front of a minister at Gretna Green and I'll still say no."
"First off, Miranda darling," he'd said in the smooth voice she'd once found enchanting and now found irritating. "Ministers don't have to do the marrying in Scotland. Anyone is qualified. Secondly, you'll say yes, once you realize you have no other choice."
"I'll always have another choice."
"Not once you're ruined. Now, stop fussing. You've been spoiled and willful and now you're going to have to pay the price. We'll deal well enough together. I won't be a demanding husband."
"You won't be my husband at all," she'd said darkly.
"Now that's where you're wrong."
She'd hoped he'd take her to an inn where she could throw herself on the mercy of the innkeeper. Instead he brought her to a small cottage in the country, miles away from anyone else, with one sullen servant who'd ignored her.
It had been her own fault, Miranda told herself, refusing to cry. And St. John was right about one thing: it was up to her to pay the price. Just not the price he thought he'd guaranteed.
Because compromising her was not enough. St. John was a man who cared about the details, and the second night he took her virginity, to ensure his financial future.
It hadn't been rape. Miranda had curled up, holding her stomach afterward. She'd neither screamed nor fought, and when it became clear that it was going to happen she did her best to get into the spirit of the thing.
Vastly overrated. He kissed and slobbered over her breasts, actions that left her entirely unmoved. She'd never seen a penis that hadn't belonged to a baby, but she found the adult version fairly unprepossessing. It was short and squat in a nest of hair and really quite unattractive. It was just as well she didn't intend to seek out any future acquaintance with one.
It hurt, of course. She'd been warned that it would the first time, but St. John apparently considered her listless response to be arousing, for he repeated the process two more nights, and each night she hurt, each night she bled, and when he told her to prepare for him on the fourth night she'd slammed a water ewer down over his head, watching him slump unconscious at her feet.
It had been an oversight that she hadn't tried that before. If she'd just had the brains to consider brute force the first night she might still have retained at least her physical innocence, if nothing else.
She'd stepped over St. John's body, only slightly concerned that she might have killed him, went downstairs and headed for the stables. The hired carriage had been returned, but Christopher's showy chestnut was there, and it had taken her only a few minutes to saddle and bridle him, thanking God her father had always insisted his children know about horseflesh. Riding astride was its own misery, particularly considering St. John's attentions, but by the time she was an hour away from the cottage she ran into a small army come to rescue her, including her three brothers and her formerly annoying sister-in-law Annis.
"Don't kill him," she'd said calmly as she was bustled into the carriage they'd brought with them.
"Why not?" her brother Benedick grumbled. "Father would tell me to. Don't tell me you're in love with the creature?"
Her expression had answered that ridiculous question. "I just want to forget about it."
"Miranda is right," Annis had said, earning her eternal gratitude. "The more fuss we make, the bigger the scandal, and we'd like this to blow over quickly, would we not? I suggest you horsewhip him and leave him at that."
"He didn't touch you, did he? Didn't force himself on you?" Benedick had demanded.
It wasn't that she wanted to lie. But her fiery-tempered older brother would have gutted St. John if he'd known the truth, and even peers couldn't get away with murder.
"Of course not. He wants to marry me, not make me hate him."
Benedick had believed her calm assertion, and she and Annis had started back for London, while her brothers moved on for revenge. "I don't know if we're going to be able to keep this quiet, Miranda," Annis said in a practical voice. "You know how the gossips are, and I think Mr. St. John might have deliberately dropped a few hints before he absconded with you." Her dark blue eyes swept over Miranda, warm with sympathy. "I'm afraid you might be ruined."
Miranda ignored the sick feeling in the pit of her stomach. It was becoming second nature to her. "There are worse things in this life," she had said.
But in truth, it didn't appear that there were. Her parents had rushed back to England, her mother full of hugs and comfort and not a word of reproach, her father coming up with outrageously intricate plans to remove parts of St. John's anatomy and feed it to the fishes. When her monthly courses had arrived, on time, she had breathed a sigh of relief, and the rest of the family remained safely ignorant of her loss of innocence.
But in the end it hadn't mattered. Miranda was no longer welcome among the ton. Her invitation to Almack's had been politely withdrawn. Mothers and daughters had crossed the street rather than be obliged to speak to her, and when forced, gave her the cut direct. She was a pariah, an outcast, just as Christopher St. John had sworn she'd be.
He'd had the consummate gall to show up at her house and offer to do the honorable thing. He'd sworn that it was his passion for her that had overcome his scruples, that he would marry her and the scandal would soon die down. They loved each other, and his darling Miranda would soon get over her case of the sulks.
Marriage to him was still her only route. If she wished, they could even live in separate establishments, and he'd be certain to see that she received a generous allowance from the money that would now be in his control.
And it had been her father, Adrian Rohan, the Marquess of Haverstoke himself who'd thrown him down the stairs of their vast house on Clarges Street.
Miranda had retired to the country for a few months, until a new scandal occupied the ton's attention. Not for one moment did she believe her sins would be forgiven—she was ruined, now and forever, and nothing would change it. But by the time she returned life had moved on, and so had Miranda.
And she had discovered, to her immense joy, that being ruined was much more fun than being on the marriage mart. She didn't have to simper and flirt with shallow young men, she didn't have to make certain her every move was accompanied by a footman and an abigail. She bought a house of her own, just a pied-a-terre that was nevertheless all hers, and she rode in the parks, ignoring both the cuts and the importunate young men. She went to the theater and the library and Gunters, and while she enjoyed the companionship of her cousin Louisa, the older lady was mostly deaf, sadly stout and the most indolent creature on the face of the earth.
For the first time in her life Miranda was free, and she reveled in that freedom. She had her staunchly loyal family and she had her dearest friend Jane and the rest of the Pagetts. In truth, she'd lost little and gained every thing. Apart from the trouble the whole contretemps had brought upon her family, she didn't regret it. By the following spring she'd happily settled into her new life, and she wouldn't have changed it for the world.
Christopher St. John didn't fare nearly as well.
The house on Cadogan Place had always given him an unpleasant feeling in the pit of his stomach. It wasn't that the place was huge and dark and gloomy, sitting on the edge of the better areas of town, a bit too near the purview of the criminal class that haunted the darkened alleys and side streets. It was the man who owned that house, the man awaiting him and his excuses for failing to do what he'd been paid to do. It was The Scorpion, known more formally as Lucien de Malheur, Earl of Rochdale, who would sit there and look at him with those colorless eyes, his thin lips curling in disdain, one elegant hand gripping the top of his cane as if he'd like to beat a man to death with it.
Christopher St. John shuddered, then shook off his nervousness. A light, icy rain had begun to fall. February in the city was always dismal. Had it been up to him he would have stayed out in the countryside with Lady Miranda Rohan warming his bed. If the bitch hadn't clocked him one and taken off.
And she and her family were proving most unreasonable, he thought, absently rubbing his bruised shoulder. He had a cracked rib, a broken wrist, several torn muscles and scrapes and bruises over most of his body. No, the Rohans didn't seem likely to become sensible any time soon.
Most helpful customer reviews
125 of 133 people found the following review helpful.
Serious problems with the hero
By Reader
I'm writing this review because I wish I'd seen it before reading this book. When Anne Stuart is good for me, she's golden. But when she's bad, she makes me feel traumatized and violated. I think it's a testament to her skill as an author that she makes me feel so intensely, but I also wish someone would silently point out the books that would traumatize me, so I could avoid them. I wish I could stop reading her altogether...but when she's good, she is too good.
In order to explain this, I do have to give some mild spoilers for the end of the book. I won't do that in this review but I will write a comment that details them for the truly curious.
I had a real problem with the hero of this book. Basically, it is this: in the very first pages of the book (this is not a spoiler: you can read the passage in the excerpt here on Amazon), he pays someone to abduct and rape the heroine and force her into marriage.
First, it's quite clear when he discusses it with the man in question that he would have been perfectly fine if he had raped her, and so he gets full marks for the intention.
But more importantly--even though the heroine says "It hadn't been rape," I quite frankly don't agree. In fact, that infuriated me hugely. To say that it wasn't rape just because she realized he was strong enough to make it happen anyway, so she didn't fight is just bull. He takes her against her will; she says no, repeatedly, he does it, and she decides not to fight because she doesn't think she has a choice and he's bigger than she is. That, in my book, is rape. And yet the heroine has almost no emotional reaction to it other than a general aversion because the oaf isn't very good at sex. I found the scene hugely traumatic.
I kept reading, because it's Anne Stuart. And I know Anne Stuart does bad heroes--not like fake bad, but really bad. When it's good, it's great. But when it's bad, it's awful. And this was...awful.
If the hero pays someone to rape the heroine, he is going to have to do something really spectacular at the end of the book for me to believe in it. But he doesn't. There's no hint of repentance. There's no grovel. The only thing that remotely hints at some kind of redemption has as a background something he plans to have happen to her that is so foul that it is irredeemable. And in my mind, "deciding not to do something truly foul" just does not come off as sufficient grovel. Especially considering that he is basically awful through and through.
I loved her heroine--she was fantastic, which is why I've given the book two stars. But at the end of the book, I wanted her to shoot her husband dead and walk away laughing.
31 of 35 people found the following review helpful.
Tall, dark, tortured and vindictive
By Techie
Breathless is the third book from The House of Rohan trilogy and the most complex. This time the secondary romance is brilliantly done. I love the story of Jacob Donnelly and Jane Pagett, so romantic and fresh. They're so different, and wonderful together. She's a naive lady and he's a dissolute jewel thief. The part I like the most is the surprising way they meet. Their romance and Miranda Rohan, make Breathless worth reading.
This has been the hardest review for me to write, because I'm a fan of Ann Stuart - and there are important elements in this book I didn't like. The execution of the writing is superb and her development of all the characters excellent. With a notable exception, the hero, Lucien de Malheur, a.k.a. the Scorpion. I honestly think Ann Stuart should have reserved the title Ruthless for Breathless. Lucien de Malheur is utterly more ruthless than Francis Rohan ever was. The title of Reckless, also would have fit it. Miranda Rohan, the heroine, is more reckless than any of the characters in Reckless.
Please, don't get me wrong. I enjoyed reading Breathless and I recommend it. However, I feel it could have been much better, possibly the best book in the series. After reading it, I still think Reckless is the best of the trilogy.
I'm only giving the book four stars because in all honesty, Lucien was too resentful, brooding and spooky. Even for the likes of me, who counts among her favorite heroes The Count of Monte Cristo, Juan Del Diablo from Corazon Salvaje and Heathcliff from Wuthering Heights. If you thought, it couldn't get darker than that, hold on, you need to meet Lucien de Malheur. Heightened epitome of tall, dark, tortured and vindictive.
I've been thinking about this for days, I concluded that Ann Stuart overdid his dark side. The real problem with Lucien is his motivation. I love bad boys, but in romance I like them to be considerate and protective of the heroine. Sometimes, she doesn't need to know he's taking her feelings into consideration. Although, we, the readers, must know in order to understand the wicked hero's motives. Sadly, Lucien's inner thoughts about Miranda are for most of the book, disturbing.
His motive for revenge is hard to sympathize with and it's this that separates him from other vindictive heroes. I didn't buy his reasons. Lucien's dysfunctional origins and flaws should have evoked more empathy from me. Somehow, it didn't work. I felt sorry for his painful and traumatic childhood, but the more I learned, the less I understood. He'd been brutally beaten and scarred at the hands of his stepmother, an insane woman who is the mother of the stepsister he is avenging. Nothing wrong in loving your stepsister. My problem with this is the detail that, his stepsister was taken away by her maternal family members in order to protect her while Lucien was left behind to his stepmother's viciousness. Lucien knows better than anyone the madness of this evil woman.
Lucien was her victim. In times when madness runs in families, how is it possible that he didn't doubt for a moment the sanity of his own stepsister? The woman grew up away from him. He heard that she committed suicide after attempting to kill her fiance, Benedick Rohan, Miranda's oldest brother, because he broke the engagement. And all Lucien thinks about is going back to England to make the Rohan family pay for the fate of a stepsister he barely knew. There is no mention of their shared childhood memories, or any reason for us to believe that his love for her surpassed common sense.
As much as I'm mad with Lucien, I love Miranda. She's high spirited, brave, and saucy. She thinks positive no matter what, and tries to find a way out. Putting her recklessness aside, she deserves admiration.
Ann Stuart keeps us wondering until the very end. I wasn't sure if Lucien was going to find a way to redeem himself at all. Yes, he does. The ending was rather abrupt in my opinion. I would have preferred words cut from the middle of the book and an end without loose threads and suppositions. I also needed to see Lucien's repentance, and I never did. Maybe the author is planning a future book where everything will be explained in more details.
27 of 30 people found the following review helpful.
rape is rape and not a failed seduction
By patti raiteri
I agree with others that have written that this is HUGELY disturbing when the main character is raped and then she doubts herself that she did not fight enough so that it was not rape for that reason!!! YUCK. Does the quality of the amount of fight you put into make any less a crime to take someone against their will. And that the main character paid the person to do this despicable act....THIS IS SO HORRIBLE that I simply could not read this book with any feeling of goodness or empathy for the main male character. I loved the first two books and this was a big disappointment. Had I known about the rape scene in the first chapter I would not have even bought it. Just because the rape is not violent with the person fighting back does not mean that NO means YES. It does not make it less a rape and that the main character never gets this is just depressing.
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