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The Good Girl, by Mary Kubica
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Read the bestseller everyone is talking about! "A cleverly constructed suspense thriller." —Chicago Tribune, Printer's Row "A twisty, roller coaster ride of a debut. Fans of Gone Girl will embrace this equally evocative tale." —Lisa Gardner, #1 New York Times bestselling author "Riveting psychological thriller."—Lisa Scottoline, New York Times bestselling author on Don't You Cry "I've been following her for the past few days. I know where she buys her groceries, where she has her dry cleaning done, where she works. I don't know the color of her eyes or what they look like when she's scared. But I will." One night, Mia Dennett enters a bar to meet her on-again, off-again boyfriend. But when he doesn't show, she unwisely leaves with an enigmatic stranger. At first Colin Thatcher seems like a safe one-night stand. But following Colin home will turn out to be the worst mistake of Mia's life. When Colin decides to hide Mia in a secluded cabin in rural Minnesota instead of delivering her to his employers, Mia's mother, Eve, and detective Gabe Hoffman will stop at nothing to find them. But no one could have predicted the emotional entanglements that eventually cause this family's world to shatter. An addictively suspenseful and tautly written thriller, The Good Girl is a propulsive debut that reveals how even in the perfect family, nothing is as it seems.More Praise "Kubica's powerful debut…will encourage comparisons to Gone Girl."—Publishers Weekly, starred review "A high-intensity thriller, a psychological puzzle that will keep readers on their toes."—BookPage Read the New York Times bestselling follow-up novel Pretty Baby by Mary Kubica. Look for Mary's latest complex and addictive tale of deceit and obsession, Don't You Cry. Order your copies today!
- Sales Rank: #627 in Books
- Brand: Kubica, Mary
- Published on: 2015-02-24
- Released on: 2015-02-24
- Original language: English
- Number of items: 1
- Dimensions: 8.16" h x 1.02" w x 5.46" l, .0 pounds
- Binding: Paperback
- 384 pages
From Booklist
In this tale of a kidnapping gone wrong, Mia, the black-sheep daughter of prominent Chicago judge James Dennett, impulsively decides to go home with Colin, a young man she meets in a bar. The one-night stand quickly turns into a nightmare when Colin forces her into his car in the middle of the night, and Mia learns he’s been sent to abduct her for ransom. But just before the drop-off point, Colin, for reasons unknown, decides not to hand her over to the man who has hired him and instead takes her to a remote cabin in Minnesota. Back at home, Mia’s mother, Eve, cannot understand why James doesn’t seem to take the news of his daughter’s disappearance as seriously as she does. Gabe, the detective assigned to the case, wonders the same thing. The narrative unfolds in four different perspectives—from Mia, Eve, Gabe, and Colin, in alternating chapters—which are also structured as “before” and “after.” The organization can prove puzzling, but Kubica’s debut thriller builds suspense steadily and will have readers guessing what’s really going on until the final pages. --Rebecca Vnuk
Review
"Thrilling and illuminating... [Pretty Baby] raises the ante on the genre and announces the welcome second coming of a talent well worth watching." -LA Times
"A hypnotic psychological thriller.... [Pretty Baby] builds to a stunning climax involving revelations you won't see coming." -People
"A twisty, roller coaster ride of a debut. Fans of Gone Girl will embrace this equally evocative tale."
-Lisa Gardner, #1 New York Times bestselling author
"This isn't your typical thriller.... [It] practically has you holding your breath for all 300 pages." -Bustle.com
"Single White Female on steroids.... If you haven't read Mary Kubica yet, you need to start right this minute... This riveting psychological thriller had me turning the pages at warp speed." -Lisa Scottoline, New York Times bestselling author of Corrupted
"Kubica's powerful debut...will encourage comparisons to Gone Girl." -Publishers Weekly, starred review
"Psychologically rich and pulse pounding, The Good Girl had me hooked from the very first sentence and didn't let go until the final word."
-Heather Gudenkauf, bestselling author of The Weight of Silence and Little Mercies
"[Kubica's] masterful handling of plot makes The Good Girl hard to put down."
-The Columbus Dispatch
"The Good Girl has everything going for it. A fresh new style...the denouement will stun. I look forward to Kubica's next novel."
-Florida Times-Union
"A cleverly constructed suspense thriller."
-Chicago Tribune, Printer's Row
About the Author
Mary Kubica is the New York Times and USA Today bestselling author of THE GOOD GIRL and PRETTY BABY. She holds a Bachelor of Arts degree from Miami University in Oxford, Ohio, in History and American Literature. She lives outside of Chicago with her husband and two children and enjoys photography, gardening and caring for the animals at a local shelter.
Most helpful customer reviews
354 of 378 people found the following review helpful.
The Woman Who Came Back
By Tom S.
Her name is Mia, a 25-year-old art teacher from a well-to-do Chicago family. She's been abducted by a man she met in a bar and held captive at a remote cabin in another state. Now she's returned--but the woman who comes back is not at all like the woman who vanished. She calls herself Chloe now, and she apparently doesn't remember much of her ordeal or of her life before it. Amnesia, the doctors call it. Her socialite mother, a concerned police detective assigned to the case, and the abductor himself take turns filling in the blanks of Mia/Chloe's story. And it's quite a story...
Mary Kubica's first novel is unusually constructed: several voices, all in the present tense, jumping back ("Before") and forth ("After") in time. This may sound complicated, but it isn't. For a first novel, THE GOOD GIRL is amazingly polished and professional. All the characters spring to life as they speak, and I really began to care about them--especially the young woman at the center of the plot.
I've already seen early reviews comparing this to GONE GIRL by Gillian Flynn and STILL MISSING by Chevy Stevens, and I think it's every bit as good as both of them. If you like low-key psychological suspense stories about troubled families and the secrets they hide, you really should try this. Highly recommended.
0 of 0 people found the following review helpful.
Excellent Thriller Will Touch Your Heart
By Deborah M. Okey
The Good Girl is an excellent psychological thriller written from multiple points of view that in less skilled hands could be difficult to follow. But Kubica does such an excellent job of weaving in the thoughts of three different characters -- the mother of a kidnapped young woman, the kidnapper, and the detective investigating the case -- that the multiple points of view provide an effective means of looking at the emotions involved in a kidnapping case. The novel also moves intriguingly and clearly between Before and After, although it is not until the action-packed climax that readers know Before and After what. It is not until the Epilogue that we hear the victim's point of view in a brief passage that offers an completely unexpected and largely satisfying twist. The complexities of the multi-voiced narrative give the reader much more than a simple kidnapping case. We learn of the family dynamics of both the kidnapper and the victim so that we understand these two characters particularly well. We watch two love stories unfold without losing focus on the central kidnapping investigation plot. The novel offers a fascinating story with intertwining lines that the reader is able and anxious to follow. If there is a fault with the novel, it is from a literary standpoint rather than one that affects comprehension and enjoyment of the novel: the various characters all speak and think in the same voice instead of in the varied voices we should hear from an educated wife of a prominent Chicago judge, an uneducated and deprived man doing anything he can to earn the money to support his sick mother, and a detective who has been on the job for about 20 years. These characters would not share a vocabulary or the internal, natural grammar that would produce matching sentence structures. But it's easy for readers to miss this relatively minor deficiency that would occur only to professors who teach literature and writing. While this limitation is enough to prevent the novel from being included in a college course, it certainly isn't enough to detract from the sheer pleasure of reading this thriller or from the finesse with which the author handles the multiple points of view. I definitely recommend it as a highly enjoyable psychological thriller sure to keep you hooked from beginning to end. I know I will read it again someday.
0 of 0 people found the following review helpful.
Not Gone Girl- mildly entertaining
By Jennifer
I found the book mildly entertaining but the ending was poorly written and rushed. I'm sadden that it's being compared to Gone Girl as this book isn't thought-provoking nor does it stay with you and engage you in the story.
The plot is not very realistic. The police really couldn’t figure out that Mia was involved in her own disappearance? That Mia would stay at the bar by herself and willingly go home with a creep? Mom wasn’t immediately worried from Mia’s co-worker’s call about Mia not showing up for work? Stockholm syndrome love affair? Colin let Mia have the gun? Pregnancy was not discovered when she was found- no exam/rape kit for the women with amnesia?
My book club really liked this book as it was a non-thinker, easy read.
I’ve revised the book club questions to make them more interesting:
• In the beginning, Colin comes across as a hardened criminal carrying out a kidnapping plot for his own financial benefit. What would make a man like Colin decide to save Mia from her assumed fate?
• Do you think it was admirable for Colin to forsake his own and his mother’s wellbeing for a stranger?
• The surprise twist at the end seems tacked on. Do you think the plot was believable? Would Mia, knowing that there was no threat from underworld boss Dalmar, choose to stay with Colin under the freezing conditions with inadequate food? Would she really get amnesia from her self-induced trip- or if she didn’t have amnesia, was she really able to fool medical professionals?
• How realistic is the plot- the police really couldn’t figure out that Mia was involved in her own disappearance? That Mia would willingly go home with a creep? Mom wasn’t immediately worried from Mia’s co-worker’s call about Mia not showing up for work? Stockholm syndrome love affair? Colin let Mia have the gun? Pregnancy was not discovered when she was found- no exam/rape kit for the women with amnesia?
• Do you think Mia was suffering from Stockholm syndrome, or that the relationship she developed with Colin was authentic?
• Mia suffers from amnesia throughout the pages of The Good Girl. It’s only in the last few chapters that her memory comes back and she is able to recall her days inside the cabin. Knowing, however, that Mia staged her own kidnapping, is it also possible to imagine that she faked the amnesia throughout the novel? Was Mia truly suffering from Acute Stress Disorder, or was this another act from a capable and conniving performer?
• We learn that Mia arranged her own kidnapping to seek vengeance against her father for a neglectful upbringing. Was his conduct as awful as Mia perceived in her mind for it to be?
• Imagine that Mia went through with the abortion at her father’s request. How would this have affected her once she learned of Colin’s death? Do you think it would have been easier or harder for her to accept his death if she was not carrying his child?
• This book is constantly being compared to Gone Girl- do you agree?
• Three is a lot of critique about the authors use of stereotypes and subtle racism, did you notice:
o the snarky cop, the judgmental father, the worrisome mother, the criminal black guy
o Chicago, Gary Indiana, isn't spoken of highly. It is a hell hole. Much of the population is poor. There is a large African-American population
o If the population of an “ethnic” area is nearly half white then its “safe to walk around at night.”
o kidnapper refers to another criminal member as the "blackest man he ever saw,"
o Dalmar as black as the blubbery skin of a whale
o I looked around the bar, I saw that I was the only one who was white.
o Indians don't speak good English, Somalis are apparently really dark, scary and criminal etc
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